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To celebrate the relaunch of their international website, fashion powerhouse Thebe Magugu announced a new limited-edition “Heritage Dress” collection featuring historic cultural illustrations by visual artist, Phathu Nembwili. A Mzansi original, the capsule features nine dresses that bear a painting that illustrates each South African culture – namely Xhosa, Zulu, Pedi, Vhavenda, Tswana, Tsonga, Basotho, and the Swati. The dresses are envisioned on a free-flowing crepe Bohemia-style dress with bishop sleeves and a foulard neckline.

“Changing the world for the better while looking stylish” might just be Zozibini Tunzi’s motto. Following her sensational coronation as Miss Universe in 2019, the South African supermodel affectionately known as Zozi, has reigned supreme as a beauty and fashion icon. A boss babe, Zozi’s unwavering determination to take up space as her authentic self has been showcased through her…

With fashion being cyclical by nature, it is inevitable for most rejected or obsolete trends to make their way back into the cycle at some point. This is true modest fashion. From grunge-inspired outfits to workwear to layered designer looks, modest fashion is broadening thanks to social media. Luckily, the resurgence of the trend is about fashion and style than it is about infringing women’s autonomy.

As seen on various runways during fashion month, untraditional textured jackets that designers such as Bottega Veneta and Versace included in their Spring/Summer ‘23 collections are the ultimate combination of fun and function this year. Whether you’re opting for a bold colour or avant-garde shape, we encourage you to be daring and bold – think various textures, silhouettes, colours, and materials in your outerwear selection. ‘Tis the season, after all.

Written by  Amy X. Wang

First seen on  The New York Times

Can you tell the difference between a $10,000 Chanel bag and a $200 knockoff? Almost nobody can, and it’s turning luxury fashion upside down.

Once upon a time, the legend goes, Theseus slew the Minotaur and sailed triumphantly home to Athens on a wooden ship. The vessel was preserved by Athenian citizens, who continually replaced its rotting planks with strong, fresh timber so a pilgrimage to Delos could be made each year in their hero’s name. Fascinated by this mythical tale, the philosopher Plutarch found it to embody a “logical question of things that grow”: After Theseus’s ship had been stripped of all its original material, could it still be considered the same ship? His question has caromed through centuries of Western thought. What if, Thomas Hobbes wondered, someone rustled up a second boat out of the discarded planks; would you now have two original vessels? And what about our own era of machine-made duplication — does replication strip away the soul of creation?